Ex-Pope Joe Ratzinger isn't the only bit of Roman Catholic history making the news. Piero della Francesca, Early Renaissance artist, mathematician and geometer is vying for headlines with the little Hitler Youth from Bavaria.
"The great Renaissance expert Bernard Berenson explained the sudden, virtual cult appeal of the artist in terms of an emerging modern taste for “the ineloquent in art,” by which he meant a turn away from dramatic illustration toward the aesthetics of conceptual design and candid technique. Berenson cited Impressionism and, especially, the phlegmatic, intellectually bracing method of Cézanne as spurs to the new appreciation of Piero. That’s apposite. His style also resonates in the marmoreal figures of Picasso’s neoclassical period; and his way of seeming to capture something fundamental, once and for all, reminds me of abstract paintings by Piet Mondrian. Looking at Piero’s work may impart a sense of being steadied and elevated. You might even forget momentarily that you were ever less noble, or that any other art has held more than a passing interest for you." - You gotta love the New Yorker.
"As testified by Giorgio Vasari in his Lives of the Artists, to contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting was characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes "The Legend of the True Cross" in the church of San Francesco in the Tuscan town of Arezzo."
For me, the composition of The Flagellation of Christ seems centuries ahead of its time and is what brought me to follow up on The New Yorker article with this post.